Terracotta, a material coming back at the right moment
After several seasons ruled by cool greys and chalky whites, we are seeing homes on the Côte d'Azur turn back toward warmer tones. Terracotta sits at the centre of this shift. It is the oldest colour of our villages, the colour of roofs, jars and floors. In 2026, ochre, caramel brown and terracotta are returning to almost every interior we work on, because they warm a room without weighing it down.
In Mougins, this return makes sense. The hilltop village, its lanes and its facades have always lived with this material. Bringing it back indoors is not about following a passing fashion, it is about reconnecting with a floor that was always there. Terracotta has a rare quality: it is warm without being loud. It holds a whole room calmly, and it ages better year after year.
Tomettes, the memory of the Provençal floor
Tomettes are those small terracotta tiles, often hexagonal, that cover the floors of our old houses. Their shade runs from powdery pink to deep red, with soft browns in between. Each tile is a little different from its neighbour, and it is exactly this irregularity that gives the floor its life.
In the village houses around Mougins, we often find original tomettes under a later covering. When they are there, we almost always advise keeping them. A gentle clean, a coat of linseed oil, a natural wax, and the floor recovers its depth. A tomette worn by time has a softness that no new tile truly matches.
When the original floor is gone, terracotta remains a lovely option. Today it comes in hexagonal tiles, square ones, or longer formats. We like quiet layouts, with no complicated pattern, that let the material speak for itself. A terracotta floor lays down a warm base on which the rest of the room can lean.
Terracotta on walls, splashbacks and objects
Terracotta is not limited to the floor. On a wall, a plaster tinted in clay tones brings instant warmth. In a kitchen, a splashback in ochre zellige or glazed terracotta tiles catches the morning light and returns it gently. We like these slightly living surfaces that shift with the hour of the day.
Objects matter just as much. An old jar, a few earthen pots, a ceramic table lamp, a raw vase set on a table. These pieces are enough to set the tone. They recall the work of the hand and the heat of the kiln, and they sit well with almost everything. In Mougins, where the pottery tradition is never far away, these objects have a real place in our schemes.
A warm palette: ochre, terracotta, caramel brown





